Bob Lorenz For President

Amidst a fairly dismal weekend in Toronto, one decided bright spot was the presence of Bob Lorenz as play-by-play man in the booth.

No one seems to like Michael Kay, but I've defended him to some extent (maybe on this blog, maybe not) because he has a tough job and when you are exposed to someone for three plus hours 140 or so times a year, it's easy to dislike him. Futhermore, given the way blogs and social media are set up, it's easy to complain about any broadcaster and once you start noticing someone's flaws, the hatred of them generally tends to snowball. We've seen in with Joe Morgan partially as a result of FJM and there's no doubt that @YESMichaelKay gives us things to despise about the real broadcaster that we might not have otherwise noticed.

We've heard Ken Singleton do play-by-play fairly often, generally on west coast road trips, and I think that he typically does a good job ("Look out!"), but for whatever reason, possibly the audio mix, his voice often fades into the crowd noise whereas Michael Kay's sticks out like a sore thumb. I know Ive heard Lorenz do play calls when the YES Network was having technical difficulties but I remember thinking that he sounded unprepared (which of course he was). This weekend, though, I thought Lorenz sounded plenty polished and fell somewhere between the abrasive Kay and the low key Singleton.

As I mentioned earlier, I missed all of Friday's game and I was driving back upstate the first eight innings of Saturday's contest, but I found myself enjoying Lorenz's call for the conclusion of that contest and Sunday's game as well. He was energetic, seemed engaged with the game, offered some good insights and deferred to John Flaherty for the heavy analytical lifting.

In all likelihood, we'll probably pick up on Lorenz's verbal tics and annoying go-to phrases were we to have him in the booth for the majority of the year, but as of right now, I'd really love to see him get that chance. Obviously the YES Network has hitched its wagon to Michael Kay and one weekend of games is not going to change that, but maybe Lorenz will have the opportunity to do more games when Michael Kay is taking time off.

Larry from The Yankeeist has already started up a Facebook page for to advocate Lorenz as the primary play-by-play man. I don't know Michael Kay's contract situation off the top of my head, but there's little-to-no chance that he's going to get fired or leave voluntarily. However, there's nothing wrong with showing a little love for Lorenz in hopes that he'll be rewarded somehow for his good work in the booth.

Come And Go Blues

The show started just before 8:30. And they opened with a live version of Little Martha backed by a slideshow of Duane and the early days.


At the beginning of Statesboro Blues, Derek's guitar wasn't working...

And then about three minutes later, it was my internet that wasn't working.

Awesome timing. It's not like I had been waiting for this for an entire week or anything...

That pretty much sums it up right there. I was running a cable and was connected to two different wireless networks that I usually steal from, so it wasn't just my issue. The whole area was down.

Even Billy in 4C couldn't help a brother out.

This felt exactly like the time when I was still playing online poker for a "living" and flopped four jacks at a final table. I had the second biggest chip stack in play and was about to run away with the tournament (provided my opponent didn't draw two perfect runners to a straight flush) when my internet shat out. Once the 90 second disconnect grace period was up, the other player, who could have had two pair or some bullshit, probably just made the minimum bet and my hand was automatically folded. By the time the connection came back 45 minutes later, my stack had been blinded down to a measly pittance and I ended up in 7th place.

Except that's not how this ended.

After almost two hours of watching the 'Zags zap the Zips and other NCAA Tournament action (which isn't a terrible consolation prize) the internet rose from the dead right in the middle of Good Morning Little School Girl.

Immediately after the song, Greg announced Clapton and they broke into Key to the Highway.

DreamsWhy Does Love Got To Be So Sad

Little Wing

Anyday

Encore Break:

Layla (Piano jam)

The two hours without internet were pretty brutal. Any two hours of my life spent indoors without access to broadband is inconvenient, but I had been looking forward to this and hyping it up for a week. And you know, the main reason that I bought Moogis was to be able to watch this show live.

On the other hand, what made this show so sick was Clapton, and I caught every note of the songs he stood in on. Not to mention that the song selection was awesome. I got my wish for Why Does Love Got To Be So Sad, so tomorrow I'll be out on the town and will turn my password over to Cliff, who is probably the biggest Clapton fan I know. Enjoy it, homey.

Now if you'll excuse me, I have to go move my car which I spent two hours in searching for a spot last night, before I ended up parking on the same block I was on, on the same side of the street.

The Allmans & Clapton

Key to the Highway
Dreams
Why Does Love got To Be So Sad
[Ed. Note: YESSSSS]
Little Wing
Anyday (with Susan Tedeschi)

Encore:
Layla